All paper sessions are held in the Whitney Humanities Center (53 Wall St) Auditorium.
2:00 PM - 5:00 PM
Paper Session 1: Composition, Voice-Leading, Atonality
Musical Experiences with Block Designs
[ ABSTRACT ]
Franck Jedrzejewski, Moreno Andreatta and Tom Johnson
Generalized Voice Exchange
[ ABSTRACT ]
Robert Peck
Maximally Smooth Diatonic Trichord Cycles
[ ABSTRACT ]
Steven Cannon
The Continuous Hexachordal Theorem
[ ABSTRACT ]
Brade Ballinger, Nadia Benbernou, Francisco Gomez, Joseph O'Rourke and Godfried Toussaint
Sequential Association Rules in Atonal Music
[ ABSTRACT ]
Aline Honingh, Tillman Weyde and Darrell Conklin
Badness of Serial Fit Revisited
[ ABSTRACT ]
Tuukka Ilomäki
10:00 AM - 12:00 PM
Paper Session 2: Geometry
Hamiltonian Cycles in the Topological Dual of the Tonnetz
[ ABSTRACT ]
Giovanni Albini and Samuele Antonini
Pairwise Well-Formed Scales and a Bestiary of Animals on the Hexagonal Lattice
[ ABSTRACT ]
Jon Wild
Three Conceptions of Musical Distance
[ ABSTRACT ]
Dmitri Tymoczko
The Geometry of Melodic, Harmonic, and Metrical Hierarchy
[ ABSTRACT ]
Jason Yust
1:30 PM - 3:30 PM
Paper Session 3: Scale
Regions and Standard Modes
[ ABSTRACT ]
David Clampitt and Thomas Noll
Generalized Tonnetz and Well-Formed GTS: A Scale Theory Inspired by the Neo-Riemannians
[ ABSTRACT ]
Marek Zabka
Formal Diatonic Intervallic Notation
[ ABSTRACT ]
Jack Douthett and Julian Hook
A Generalisation of Diatonicism and the Discrete Fourier Transform as a Mean for Classifying and Characterising Musical Scales
[ ABSTRACT ]
Julien Junod, Pierre Audétat, Carlos Agon and Moreno Andreatta
2:00 PM - 3:30 PM
Paper Session 4: Perception
Estimating the Tonalness of Transpositional Type Pitch-Class Sets Using Learned Tonal Key Spaces
[ ABSTRACT ]
Özgür Izmirli
Evaluating Tonal Distances between Pitch-Class Sets and Predicting Their Tonal Centres by Computational Models
[ ABSTRACT ]
Atte Tenkanen
Determining Feature Relevance in Subject Responses to Musical Stimuli
[ ABSTRACT ]
Morwaread Mary Farbood and Bernd Schoner
4:00 PM - 5:30 PM
Paper Session 5: Time
Speech Rhythms and Metric Frames
[ ABSTRACT ]
Fernando Benadon
Temporal Patterns in Polyphony
[ ABSTRACT ]
Mathieu Bergeron and Darrell Conklin
A Multi-tiered Approach for Analyzing Expressive Timing in Music Performance
[ ABSTRACT ]
Panayotis Mavromatis
9:00 AM - 12:00 PM
Paper Session 6: New Interdisciplinary Approaches
Representing and Estimating Musical Expression in Melody
[ ABSTRACT ]
Christopher Raphael
HMM Analysis of Musical Structure: Identification of Latent Variables Through Topology-Sensitive Model Selection
[ ABSTRACT ]
Panayotis Mavromatis
Plain and Twisted Adjoints of Well-Formed Words
[ ABSTRACT ]
David Clampitt, Manuel Dominguez and Thomas Noll
A Declarative Language for Dynamic Multimedia Interaction Systems
[ ABSTRACT ]
Carlos Olarte and Camilo Rueda
Towards a Symbolic Approach to Sound Analysis
[ ABSTRACT ]
Carmine Emanuele Cella
Compatibility of the Different Tuning Systems in the Orchestra
[ ABSTRACT ]
Alfonso del Corral, Teresa León and Vicente Liern